No script. No shot list. No storyboard.
I don't know what my film is going to be about.
I try not to let my mind take over the creative process --
anything it can come up with will be just another story of my own ego --
old, boring, biased.
I take the camera, and shoot things that move me.
Then I look at the footage and find out what it is that I'm really filming.
That way, the world outside and inside of me becomes the director,
and I become its camerawoman.

This filming style I owe to my dear teacher and friend, Dominic Angerame.
This site is dedicated to him, and to the hypnotic power
of gaps
between the frames.